Monday, January 14, 2013

D’Angelico USA to be Reborn, Unveiled at the winter NAMM show...

Local Music Gear Exclusive Interview 
Written By: Dan O'Donnell
When John D’Angelico opened his first guitar shop on Kenmare St., in lower Manhattan’s Greenwich Village during the Great Depression, he opened the doors to a new era of creativity in guitar design and construction. His instruments became synonymous with the “cool” New York village jazz scene, and his guitars’ looks still serve as a reminder of what brash, art deco America was like.

Founded in 1932, D’Angelico Guitars have been a fixture on the record charts with guitar greats as diverse as Chet Atkins and Mark Knopfler using them from their introduction to the present day. The innovative, stunning and highly sought-after guitars helped give voice to guitarists by increasing their volume while playing acoustically, and also gained a reputation for style because of their hand crafted artistic beauty.

They have been shown in at least two major museum exhibitions, one at the Smithsonian Museum in Washington, D.C. and one at the Metropolitan Museum of Art in New York City in 2011. In the New York exhibit at least, D’Angelico’s workmanship and tone were seen as on a level with that of late Renaissance violin maker Antonio Stradivari.

Though D’Angelico typically charged between 250 and 300 dollars for an archtop (a considerable sum when noting that houses were routinely less than $5,000 then), his guitars have exploded in popularity and while a model from his original studio is often worth $65,000 or more, some models (his New Yorker Teardrop shape and others) can fetch well over half a million dollars at auction and remain perennial favorites among archtop players.


Now, for the first time since the legendary luthier’s death in 1964, D’Angelico Guitars will be unveiling the first D’Angelico production guitars made in the United States in their booth at the winter NAMM show later this month. Made of select materials to exacting specs by luthiers in California the first model, the USA Masterbuilt Excel, will be available in the coming days followed at select intervals by other D’Angelico classics according to Brenden Cohen, CEO of D’Angelico Guitars.

But these aren’t just reproductions, Cohen said. The Masterbuilt USA line are state of the art reissues using advanced medical technology to create the exact same interior measurements and exterior measurements as the original. By working together with original suppliers of hardware, the company has managed to keep the guitar architecturally faithful to the way it was built nearly three quarters of a century ago.

The USA Masterbuilt Excel will retail for around $9,000, Cohen said. That compares to the company’s imported “Standard” line of archtops that sell for $1,000 and up.  The sale of imported guitars has been a boon, Cohen said, adding that the Korean imports “Made us one of the best ‘new products’ if you can call it that, this year.”

He added that the company has enough faith in their Masterbuilt reproduction to allow winter NAMM visitors the chance to play and compare both the original and reproduction guitars.

“At the NAMM show we’re going to have the original, and the reissue right next to it,” Cohen said. “And it’s going to be pretty cool, that you can play a 70-year-old guitar right next to an identical, modern guitar.”

The 1943 USA Masterbuilt Excel’s heritage is easily recognizable, from its art deco trapeze tailpiece to its intricately carved headstock. In fact, the guitar is so recognizable and so entrenched in New York City music scenes that Cohen said they took extra pains to make sure the guitar was replicated exactly from the original.

Since D’Angelico only made around 1100 archtops in his lifetime, there aren’t a lot of originals around to work with. But that wasn’t a problem, Cohen said. The owner and chairman of the board of D’Angelico Guitars, John Ferolito, Sr. (who also co-founded the multi-billion dollar Arizona Iced Tea) is an archtop collector who just happens to love D’Angelico Guitars.

“John has a huge guitar collection and we took one of his D’Angelicos (the 1943 Excel) and we took it to a place in Tampa to get a guitar MRI,” Cohen said. “Then we took that to (Chief Master Luthier) Gene Baker, who’s making the guitars at the Premiere Builder’s Guild, in Arroyo Grande, CA. Gene worked on the aesthetics, and he did a really great job.”

Baker, a former Gibson and Fender Custom Shop luthier, puts out his own boutique “b-3” guitars. He and a number of other luthiers, many with Gibson or Fender custom shop experience, also make their boutique guitars at the workshop where the production of the Masterbuilt models is being done, Cohen said.

Premiere Builder’s Guild, they took a bunch of luthiers and they hired a guy who worked at the Fender custom shop for a long time, and they opened up a workshop in California where they build all these guitars for these boutique builders,” Cohen said. “It was a perfect fit for us.”

In November, PBG took the step of hiring a luthier to oversee creation of the Masterbuilt Excel.

Art Esparza, a former senior master builder at the Fender Custom Shop, quit Fender in 2006 to begin building Strussart guitars. He became a part of Premiere Builder’s Guild and will now be primarily focused on the USA Masterbuilt reissues that will be going out, according to PBG.

Unlike their recent “Standard Series” guitars, which are built in Korea, D’Angelico’s Masterbuilt guitars will be the first to use nearly the exact materials used in the original Excel, though Cohen said to expect updated hardware, like pots and switches.

The Excel, like the original, will have 3A flame maple back and sides, a solid spruce top, ebony fretboard, mother of pearl inlay/headstock design and Grover Imperial tuners. The electric version will also feature a Johnny Smith version Lollar pickup with one volume pot mounted in the pick guard. 

Bernie Williams with the prototype USA Masterbuilt Excel
Grammy nominee and Gold Glove winner Bernie Williams to introduce Excel Masterbuilt at Winter NAMM 

On the first Thursday of the Winter NAMM show Bernie Williams, of the NewYork Yankees and jazz guitar fame, will be introducing the new Masterbuilt to the world musical community. He has some experience with the new Excel, having played a prototype of it early on.

“I recently played the raw wood prototype of the USA Masterbuilt and I was extremely impressed with the craftsmanship and tone. I’m looking forward to playing the finished guitar at NAMM,” Williams said. “I’m delighted to be working with D’Angelico and impressed with all that the D’Angelico team has done to take this legendary brand forward.”

That same thrill that Williams felt playing the Masterbuilt Excel is apparently contagious; Cohen reports that a vast majority of customers and retailers have expressed interest in the line.

D’Angelico Guitars
“We’ve posted pictures of them on Facebook and we’ve had hundreds, thousands of people really excited,” Cohen said. Citing interest from the Music Zoo, the Chicago Music Exchange and Rudy’s Music, NYC (which has one of the biggest original D’Angelico collections in the world) Cohen said, “All these top level dealers in the industry are really loving them; I’m sure the public’s going to love them too.”

The backlog for a new Masterbuilt Excel is currently at about three to six months, Cohen said, adding that he is okay with that because of the time needed to do the job right.

Cohen also noted that the hand built guitars will be a good value.

The USA Masterbuilt Excel will retail for $9,999,” Cohen said, adding that customers get a lot for their money. Noting that the perfect reissue of the D’Angelico is an artwork that can be admired as well as played, he said, “You can own a piece of history at reasonable price.”

And, if the Masterbuilt USA Excel is as much like original D’Angelicos as it would appear, its sound will only appreciate over time.


Contact:
D’Angelico Guitars
110 Field Crest Ave. 1st Floor
Edison, NJ 08837
(P) 732 266-1912

Posted 01/2013
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